It was a cheerful, irresponsible, shamelessly hard-up family in the key of faded green and flattened purple, and the girls went on from the High School to the Fadden Art School and a bright, eventful life of art student dances, Socialist meetings, theatre galleries, talking about work, and even, at intervals, work; and ever and again they drew Ann Veronica from her sound persistent industry into the circle of these experiences. Lucy crouched by the side of the grave, her head in her hands, rocking back and forth. And then at the street corner she came face to face with Nigel Ennison. Pragmar, the wholesale druggist, who lived three gardens away, and who had been mowing his lawn to get an appetite for dinner, standing in a fascinated attitude beside the forgotten lawn-mower and watching her intently.
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