The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He was so depressed and disheartened that he did not then believe he would ever write again. "But, let me tell you, it's not a pleasant sight to see the girl one likes in the arms of another. .
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