Playing with one hand he turned on his stool to glance at her. Admire her as much as you choose—at a distance. The rest she meant to keep for her immediate necessities. He would discuss something she had been reading, and he would give her some unexpected angle, setting a fictional character before her with astonishing clearness. But once he had steered the lady down the hall and along a passage to a window seat at the end, he abandoned the subject of society. Just by walking in you can tell if it is a good house or a bad house.
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